steampunktendencies:

The Royal Greenhouses of Laeken (DutchKoninklijke Serres van LakenFrenchSerres Royales de Laeken), are a vast complex of monumental heated greenhouses in the park of the Royal Palace of Laeken in the north of Brussels. It is one of the major tourist attractions of the city.

The complex was commissioned by King Leopold II and designed by Alphonse Balat. Built between 1874 and 1895, the complex was finished with the completion of the so-called “Iron Church”, a domed greenhouse that would originally serve as the royal chapel. The total floor surface of this immense complex is 2.5 hectares (270,000 square feet). 800,000 liters (over 200,000 US gallons) of fuel oil are needed each year to heat the buildings.

The complex can only be visited during a two-week period in April–May each year, when most flowers are in full bloom.

Credits : [Wikipedia] [Olivier Polet] [Luc Viatour]

I’ve experienced firsthand how the “model minority” narrative– this strange tendency to assume that Asians are simply a quiet, high-achieving community tagging along with our white brethren into a melting pot of joy–effectively de-legitimizes our voices in conversations about promoting racial justice. Leaving our voices and experiences out of the fight for racial justice erases our long, often tragic history in this country and homogenizes all Asians into one, high-achieving blob. Leaving us out means turning a blind eye to the fact that 1 in 6 Filipino-Americans and 1 in 4 Korean-Americans are undocumented, that Southeast Asians have the highest high school dropout rates in the country, that Asian American students are the most bullied ethnic group in classrooms, and that Asian women are consistently hypersexualized, objectified, and orientalized via widespread media representations. If you choose not to include us in discussions on racial justice, you are telling us that our struggles don’t matter.
Linsey Yoo, Racialicious, "Solidarity is for white women and Asian people are funny" (via owning-my-truth)

laurakvstheworld:

surechigai:

A flexible rapier made during the 19th century in Toledo, Spain.

I’d wear it as a crown and slit the throat of any man who tried to touch me.


watchingmedia:

Philadelphia Newspaper Calls Asians “Chinky Winky” and “Dinky Doo”

Publisher Jimmy Tayoun says it’s a “proofreading error.”

In the August 21st print edition of the Philadelphia Public Record, the free weekly tabloid published by former Philadelphia City Councilman turned federal inmate Jimmy Tayoun Sr., current Philadelphia City Councilman Mark Squilla is pictured at an event in Chinatown with, among others, “Chinky Winky,” “Me Too,” and “Dinky Doo.”

  • “It was a proofreading error,” Tayoun told Philadelphia magazine on Friday afternoon. According to Tayoun, the editor who used those names did so because he didn’t have the actual names. When we pointed out to Tayoun that there were actually more names than there were people, he reiterated, “It was a proofreading error.” And when we asked why the editor didn’t use a generic placeholder instead of an ethnic slur, he insisted that there’s no prejudice or bigotry involved here.

"That editor is a Britisher," Tayoun explained, puzzlingly. "He didn’t mean anything by it. The Public Record is the most inclusive publication in Philadelphia.”

via http://www.phillymag.com/news/2014/08/22/public-record-philadelphia-chinky-winky-dinky-doo/

[…]

"It was a proofreading error." Yes, you just keep repeating that. I guess he means it’s like a spelling or grammar error, but the editor forgot catch all the racist shit before it went to print. Don’t you hate it when that happens?

Feel free to contact Jimmy Tayoun, publisher of the Philadelphia Public Record, with your thoughts:

PHILADELPHIA PUBLIC RECORD
1323 S. BROAD ST.

PHILADELPHIA, PA 19147
Tel: 215-755-2000 Fax: 215-689-4099

Email: editor@phillyrecord.com
Personal: jimtayoun@gmail.com

read more: http://blog.angryasianman.com/2014/08/philadelphia-paper-prints-photo-caption.html